I love you so, I always will. This is my song as I swing back and forth, back and forth, listening to the wind whisper your name, its soft breath tickling my face. Will just saying it bring you to me? Somehow I believe it will, if I time my words to the rhythm of the swing it will act as a spell: “I love you so,” swing forward, “I always will,” swing back. I picked this dress for you; I know you will love running your fingers across the billowy fabric, letting it slide from your hands. I know you will love how the breeze causes the skirt to flutter around my hips; it will remind you of our dance under the moon last night. I call you to me, once again. I call you to me, here to this place of stillness and reverie. What will I say when your face peeks above our rock? Will I squeal with delight or just rush to your arms in silence? Saying anything but your name seems absurd, inadequate. Will you pick me up and spin me around, nose to nose, eye to eye? Will you smile and have on your dancing eyes or will your gaze be heavy and reverential? Will you wear the trousers from last night, leaves and dirt brushed from the seat? Will you notice my belt, the amulet you gave me dangling from the end? Will you notice my wet eyes, overcome with relief at the mere sight of you? I packed us a lunch--I stowed it behind the far rock out of sight. I was rushed and nervous doing it. If Mama caught me; well, I don’t want to say. I tucked away the ends of the bread from last nights supper and took just a shaving from Mr. Webster’s cheese. Plus one apple, 4 grapes and 2 olives. That’s enough. If you’re hungry I’ll let you have it all. Perhaps I’ll be brave and kiss the apple juice from your chin. “I love you so,” swing forward, “I always will,” swing back. The air rushes up my skirt as I swing forward and delights my sticky skin. A twig cracks behind me and I twist around. Is it you? My heart throbs as I scan the brush for your silhouette, but I catch not a glimpse. Do you really think I’m pretty, or just plain like Rebecca Black? Tell me again how my face reminds you of the cool, clear water on the other side of the mountain--how you rushed forward and drank with the thirst of a dying man. Tell me how my hair feels like the silk of the corn you shucked for supper. How you want to make a shirt of it so it will always be right against your heart, the silky strands tickling and warming at the same time. Look right into my eyes, unflinching and sure. Gold flecks shimmering in the sun, dancing and moving to the song only we can hear. I stole two of Ames’ marbles because they reminded me of your eyes. Glittering gold and woven with the loveliest of greens. I picked them up and put them right in my pocket and ran upstairs where I rolled them around in my palm. I’m not going to tell you where I put them because if they ask then you won’t know. I have never done such a thing to poor Ames and I pray that he is never the wiser. What else am I capable of doing in the name of you? I don’t want to think about it; I won't. I would follow you out of these woods, barefoot and with utter certainty. I would never look back; there would be no trail of breadcrumbs to follow.
Thursday, May 24, 2012
DREAMWEAVER
Written at Zee's Writing Studio 5/22/12. Inspired by this painting, "Dreamlight", by Maxfield Parrish and a Laura Nyro lyric, "I love you so, I always will."

I love you so, I always will. This is my song as I swing back and forth, back and forth, listening to the wind whisper your name, its soft breath tickling my face. Will just saying it bring you to me? Somehow I believe it will, if I time my words to the rhythm of the swing it will act as a spell: “I love you so,” swing forward, “I always will,” swing back. I picked this dress for you; I know you will love running your fingers across the billowy fabric, letting it slide from your hands. I know you will love how the breeze causes the skirt to flutter around my hips; it will remind you of our dance under the moon last night. I call you to me, once again. I call you to me, here to this place of stillness and reverie. What will I say when your face peeks above our rock? Will I squeal with delight or just rush to your arms in silence? Saying anything but your name seems absurd, inadequate. Will you pick me up and spin me around, nose to nose, eye to eye? Will you smile and have on your dancing eyes or will your gaze be heavy and reverential? Will you wear the trousers from last night, leaves and dirt brushed from the seat? Will you notice my belt, the amulet you gave me dangling from the end? Will you notice my wet eyes, overcome with relief at the mere sight of you? I packed us a lunch--I stowed it behind the far rock out of sight. I was rushed and nervous doing it. If Mama caught me; well, I don’t want to say. I tucked away the ends of the bread from last nights supper and took just a shaving from Mr. Webster’s cheese. Plus one apple, 4 grapes and 2 olives. That’s enough. If you’re hungry I’ll let you have it all. Perhaps I’ll be brave and kiss the apple juice from your chin. “I love you so,” swing forward, “I always will,” swing back. The air rushes up my skirt as I swing forward and delights my sticky skin. A twig cracks behind me and I twist around. Is it you? My heart throbs as I scan the brush for your silhouette, but I catch not a glimpse. Do you really think I’m pretty, or just plain like Rebecca Black? Tell me again how my face reminds you of the cool, clear water on the other side of the mountain--how you rushed forward and drank with the thirst of a dying man. Tell me how my hair feels like the silk of the corn you shucked for supper. How you want to make a shirt of it so it will always be right against your heart, the silky strands tickling and warming at the same time. Look right into my eyes, unflinching and sure. Gold flecks shimmering in the sun, dancing and moving to the song only we can hear. I stole two of Ames’ marbles because they reminded me of your eyes. Glittering gold and woven with the loveliest of greens. I picked them up and put them right in my pocket and ran upstairs where I rolled them around in my palm. I’m not going to tell you where I put them because if they ask then you won’t know. I have never done such a thing to poor Ames and I pray that he is never the wiser. What else am I capable of doing in the name of you? I don’t want to think about it; I won't. I would follow you out of these woods, barefoot and with utter certainty. I would never look back; there would be no trail of breadcrumbs to follow.
I love you so, I always will. This is my song as I swing back and forth, back and forth, listening to the wind whisper your name, its soft breath tickling my face. Will just saying it bring you to me? Somehow I believe it will, if I time my words to the rhythm of the swing it will act as a spell: “I love you so,” swing forward, “I always will,” swing back. I picked this dress for you; I know you will love running your fingers across the billowy fabric, letting it slide from your hands. I know you will love how the breeze causes the skirt to flutter around my hips; it will remind you of our dance under the moon last night. I call you to me, once again. I call you to me, here to this place of stillness and reverie. What will I say when your face peeks above our rock? Will I squeal with delight or just rush to your arms in silence? Saying anything but your name seems absurd, inadequate. Will you pick me up and spin me around, nose to nose, eye to eye? Will you smile and have on your dancing eyes or will your gaze be heavy and reverential? Will you wear the trousers from last night, leaves and dirt brushed from the seat? Will you notice my belt, the amulet you gave me dangling from the end? Will you notice my wet eyes, overcome with relief at the mere sight of you? I packed us a lunch--I stowed it behind the far rock out of sight. I was rushed and nervous doing it. If Mama caught me; well, I don’t want to say. I tucked away the ends of the bread from last nights supper and took just a shaving from Mr. Webster’s cheese. Plus one apple, 4 grapes and 2 olives. That’s enough. If you’re hungry I’ll let you have it all. Perhaps I’ll be brave and kiss the apple juice from your chin. “I love you so,” swing forward, “I always will,” swing back. The air rushes up my skirt as I swing forward and delights my sticky skin. A twig cracks behind me and I twist around. Is it you? My heart throbs as I scan the brush for your silhouette, but I catch not a glimpse. Do you really think I’m pretty, or just plain like Rebecca Black? Tell me again how my face reminds you of the cool, clear water on the other side of the mountain--how you rushed forward and drank with the thirst of a dying man. Tell me how my hair feels like the silk of the corn you shucked for supper. How you want to make a shirt of it so it will always be right against your heart, the silky strands tickling and warming at the same time. Look right into my eyes, unflinching and sure. Gold flecks shimmering in the sun, dancing and moving to the song only we can hear. I stole two of Ames’ marbles because they reminded me of your eyes. Glittering gold and woven with the loveliest of greens. I picked them up and put them right in my pocket and ran upstairs where I rolled them around in my palm. I’m not going to tell you where I put them because if they ask then you won’t know. I have never done such a thing to poor Ames and I pray that he is never the wiser. What else am I capable of doing in the name of you? I don’t want to think about it; I won't. I would follow you out of these woods, barefoot and with utter certainty. I would never look back; there would be no trail of breadcrumbs to follow.
Friday, May 18, 2012
HOW COULD SHE NOT
And today, a poem...
How could she not love
your kind and glorious
heart,
shooting out sparklers into the dark,
exclaiming
“Here I am! Come out and play!”
How could she be immune to
your rose petal lips
cutting velvet streaks
here and there and
here and
here
Is she from another planet?
The obvious Mars, or maybe
even Jupiter?
Does she do everything in reverse?
Speak a different language?
Gag at the taste of
Holiday Spice?
Is she mute to the tone of
your voice,
like honey-blossom tendrils
wrapping everything it touches
in succulent sweetness and
whispered caresses?
Does she just happen to
be looking
the other way
when you
suddenly pulse
and glow,
lighting everything in
your wake?
Is she numb?
Or simply unaware
of every sacred moment
that you hold so freely in every
4-hr. conversation?
And in the same breath
that I wonder and
ponder, so
perplexed and bewildered,
I offer up a prayer of gratitude and
surrender;
Oh, thank you, thank you!!
That she didn’t and couldn’t...
Please carry her
to he who calls her singular name
across the Winds of Love.
Let her be healed by his touch;
scooped up and
rocked to
their own
secret lullaby.
Beloved forever.
Friday, May 11, 2012
50 THINGS I KNOW ABOUT LOVE, RIGHT THIS MINUTE, BASED ON THE PAST FEW WEEKS BUT, MORE PARTICULARLY, THE PAST FEW DAYS
- It really does sweep you off your feet.
- It leaves you shaking your head, waiting to “come to.”
- It’s best when it shows up in someone you would never expect.
- It’s best to take it slow and savor every moment.
- Then again, what could be bad about letting it have its way?
- It refuses to be controlled.
- It’s so delicious that lust, loneliness and desperation try it on as a costume and go out trick-or- treating. They eventually get caught red-handed.
- There is no forcing it.
- It has no rhyme or reason.
- It makes even the dreariest of Ithaca days irrelevant.
- It challenges me to stay present to the moment.
- It challenges me to stop analyzing.
- It’s cause for great celebration.
- It challenges my sense of worthiness.
- It can really only be experienced, not described.
- It tells me to make a beeline to Victoria’s Secret.
- It inexplicably causes me to revert to acting like a 15-yr-old.
- It allows for minimal sleep.
- It's the essence of life.
- It's all that and then some.
- It brings my various issues right up to the surface.
- Which is a good thing, really....
- It's necessary to take breaks from it to discover subversive talent on YouTube.
- It’s complicated.
- It’s simple.
- It provides for hours of playlist making on iTunes.
- It craves expression.
- It causes the windows of creativity to fly open.
- It’s best to write a poem about it when you wake up at 3 a.m. and can’t go back to sleep.
- It’s in the details.
- It says there are no details, it is just that which it is.
- It is philosophical.
- It's inane.
- It's hysterical.
- It's the agony; it's the ecstasy.
- It can make those around you want to vomit.
- It’s an elevation of consciousness.
- It goes against “The Rules.”
- It laughs in the face of “The Rules.”
- It’s better for your heart than a bowl of oatmeal.
- It’s a disco dance.
- It’s the cha-cha, a waltz, the charleston.
- It’s being moved to tears on a regular basis.
- It’s driving in the car with all the windows rolled down.
- It’s like a million iridescent butterflies alighting on your heart all at once.
- It can’t be saved up for a rainy day
- It’s sitting for hours on the couch and realizing that you would be blissfully happy to stay there for days.
- It really is the end all and be all.
- The Beatles were right.
- It’s all I’ve ever wanted.
Friday, May 4, 2012
BONUS QUOTE OF THE WEEK
“I put this bra on because my French teacher was coming over and my nipples were sticking out and I didn’t want that.” Really??
--spoken to me by a stranger, in an even stranger town, in an unknown neighborhood on a non-existant porch
‘Nuff said! What could I possibly say after that? Enjoy the day; bras, nipples, French teachers and all!
LABOR AND DELIVERY: PART 1
I made elaborate plans to ensure that the happiest day of my life was to be the day my daughter was born. While it was nothing short of a blessed miracle, I somehow connotated “happiest” with blissful, rapturous and being fully present. Ha!
Off to the hospital her father and I went, at 7 a.m. on July 10, 2003, so that I could be admitted and induced, at 38 wks, due to a development called polyhydramnious, or, in layman’s terms, excessive amniotic fluid. Why this happened late in my pregnancy remains a mystery, but I was told that if my water broke “unexpectedly” that it could present an emergency situation. Like what, I wondered? A flash flood? No, more like the pressure of the fluid could cause problems with the umbilical cord. My midwife used words like “choking” and “strangling”. Enough said.
So, already Phase 1 of my plan had been seriously mis-managed. Didn’t the Universe know that I was supposed to go into labor naturally and deliver my girl soothingly and all Enya-like into a warm bath at the Birthing Center?? For crying out loud! Instead, I found myself in the hospital, hooked up to monitors and whatnot. I was tethered to the bed but comforted myself with the fact that at least I was laying on some crisp, white sheets. Oh well, just go with the flow I told myself. Really, it’s up to me to create the environment that I want. I had brought my Enya and Stevie Nicks CD’s, lavender-scented candles and favorite pillow and jammies. Sounds like Girls Night In to me! How about we order a pizza? What? No food? Oh, okay...
I glared at the smiling nurse as she followed monitor cords and I.V. lines with her fingers, braiding and unbraiding them. Her hair fell in crispy curls, obviously the victims of too much styling product. A few rogue strands scraped my face and I bit my tongue.
I was told that the Pictocin used to induce labor would cause my contractions to be even more intense and, well, painful than “normal” ones. I was encouraged to have a walking epidural. Well, seeing as I was trapped in bed, what was the point of the “walking” part? Not to mention the fact that I thought I had been perfectly clear in my request to not have an epidural because I was going to deliver my child naturally and Zen-like. Again, I was informed that given the “gravity” of my “situation” I would need to have an epidural needle in place, just in case, God forbid, I needed to go in for an emergency C-section. Okay, I’m going with the flow, I reminded myself, as I swung my legs over the side of the bed while the nurse parted my gown in the back, exposing my extra-wide derrière. What a bitch, I thought, as she poked at my spine. Oh my God! I thought. Where is this hostility coming from? Followed by: What’s wrong with you; stop being so hateful! Then: If you’re going to be hateful, get a load of J. over there, snoozing. What the hell is his problem?
My baby’s father was curled up in a chair in the corner, snoring shamelessly. No surprises there, but somehow, in my elaborate planning of how the day should unfold, he somehow miraculously transformed into an attentive, capable, take-charge, mind-reading Johnny-on-the-spot. Bummer. Major bummer. That glimpse of him in the chair was the last time I recalled seeing him until after our daughter was born, although he insists he was “right there.” I remember the midwife being right there, massaging my back, feeding me ice chips and smoothing my furrowed brow, but him? Not a trace. Did I mention that we’re no longer together?
So, I was sitting on the edge of the bed, curled into a “C” shape, bracing myself for the needle that sent my brain into electric freeze as Crunchy Curls squeezed my hands and, all of a sudden, my water broke! It was as if someone has upturned a 5-gallon bucket onto the floor. A flash flood indeed! An “Oh!” escaped Crunchy Curls lips as water splashed up over her white Danskos and splattered her nauseatingly cute pink-with-multi-colored-teddybear print scrubs. She dropped my hands and jumped back, knocking over the tray table and spilling even more water onto the floor. I looked behind me as a river of water wound it’s way under the bed and toward the bathroom in a stream. “Holy shit!” I exclaimed. Little did I know that those words were to become my new Zen mantra over the next 12 hours....
Friday, April 27, 2012
HAIL TO THE OWL!!
I still have the God-awful owl lamp that was so prominently displayed smack dab in the middle of the living room of the house I grew up in. Or shall I say the house I was raised in because, let’s face it, I still haven’t grown up. This isn’t your run-of-the-mill owl lamp, and yet it’s so ugly and plain that it defies description (of course the plastic wrap remained on the shade so as not to diminish it's tackiness). I wound up with it by default. Of my Mother’s numerous collections, the Owl Collection was one of the first and most plentiful and included owls of every sort that provided every function of every thing you never even knew existed and wished you didn’t.
So, my sisters and I found ourselves staring dumfoundedly at all this stuff to go through, including the owl lamp. It was impossible to get rid of, despite it’s hideousness (not unlike some actual family members who shall remain anonymous....). How I became the Anointed One escapes me. However, there was plenty more to go around. “Oh, my God, do you remember this?” I cried, holding up a stained crocheted owl kitchen towel. It had a tab at the top that folded over the drawer handle and then buttoned, keeping it in place. Stuff surfaced that we hadn’t seen in years and we took turns crying out, "Look at this! The roast beef fork!" and "Ohhhh, it's the old toothpick holder!" and "Look! It's the owl folk art burlap thing!!" (another score on my my part). Things that had seemed so inconsequential now held such strong memories for all of us. Here was all this stuff that we would never use and really didn’t even vaguely like, but couldn’t bear to part with. This whole owl lineage was something tangible we could hold onto from our childhoods when all other traces seemed to evaporate a little more with each passing year.
The owl lamp now lives in my basement, collecting dust, but, hey, it’s still there, keeping watch. And Elvis? Well, he hasn't completely left the building yet either...
Friday, April 20, 2012
WALLY
This week I dug into the vaults...this is a piece that I wrote in 1996 (I know!) about a particular shift when I worked as a caregiver at a family care home for people living with AIDS in North Carolina. The disease was like a tornado then, and strides were just beginning to be made toward managing it. As I revisit this era, I'm reflecting on how far we've come since then and also how far we have yet to go....
Someone must have died, I think, pulling into the driveway at 8 a.m. on Friday. There are way too many cars; that’s always a giveaway. I’m suddenly anxious, not knowing what I’m walking into. But as a caregiver for people with AIDS, you never do know what to expect. You only know it’ll be a ride smack dab into the center of chaos.
When I walk in the door of the Chapel Hill “AIDS House,” Craig is stretched out on the couch, glassy-eyed, ready to hand me the reigns. “Hi, sweetie,” he says. “Come give me a hug.” Craig kisses me on the cheek. Wally is dying, he says, and his friends have gathered around to keep vigil.
Craig and I have been through this before, and yet it’s all new. Every person’s transition from life to death is different. The pain is different, the fears are different, the level of acceptance is different. So I know I’m going into this as a beginner; Wally will have plenty to teach me before it’s over.
We walk back to Wally’s room. It’s been a week since I’ve seen him. He looks like a baby bird in a nest, huddled under blankets and buffered on all sides by big pillows. I kneel beside him and take his hand. “Hi, Wally.”
He opens his eyes and smiles. “I waited for you to come,” he says.
“I’m glad you did.”
My throat is closing up. We sit for a minute in silence. Wally and I haven’t become especially close, but we’ve had some meaningful talks. Our time together these past two months has been easy and comfortable, free of the awkwardness that sometimes accompanies a new resident.
When Wally’s friends come in to chat, Craig and I go to the caregivers’ room to do our changeover. Craig is exhausted. We have a new resident who needs a dressing change three times a day. Another is semi-paralyzed, non-ambulatory and in diapers. We have three others with their own special sets of needs. And then there’s Wally.
Craig gives me the update: Wally hasn’t been taking his meds for the last week. His morphine has been upped to two milliliters every two hours for pain. When you give it to him you have to steer the dropper along the inside of this right cheek and get it as far down this throat as possible; the thrush has gotten so bad that he gags if you do it any other way.
Changeover done, Craig heads home to sleep. The phone doesn’t stop ringing all day. Visitors come, go, come back again. The residents are attended to. In the midst of it all is Wally: in and out of sleep, in and out of dementia, in and out of fighting for his life.
When awake, he smokes continuously. This makes me crazy, but I can’t begrudge it: After all, this is one of the last choices Wally has. He can choose to eat, but he’ll throw it up. He can choose to get up and visit the bathroom, but he’ll go all over himself before he gets there. He can still smoke, though, even if he chokes on every drag.
Wally and I argue about diapers. He says he won’t wear one, and rips it off. I explain that it’s just a precaution, that it’ll help him get to the bathroom when he needs to go. I remind him how he unknowingly went while he was asleep, how we don’t always make it to the bathroom on time.
“No,” he says.
I pull out my ace: “What if you ruin your favorite paisley robe?”
Wally glares at me. “OK!” he yells.
We put another diaper on. He is visibly embarrassed. “I’m only 27,” he says.
“I know,” I say as I stroke his hair, struggling for a way to make it better. “I’m sorry.”
The doorbell rings. It’s Wally’s mother and two aunts. I’ve never met them before, but you can’t miss the resemblance between Wally and his mother. She’s shorter, though, and wears a navy polyester sweatsuit with big appliques on it--an outfit her son would not be caught dead in.
The visitors make me angry. Why do people flock to the side of the dying instead of celebrating them while they’re alive? But I’m cordial, expressing my sympathy as Aunt No. 1 unpacks needlepoint from an old macrame bag, plants herself on the couch in front of the TV and flips through the channels. She finally settles on Jerry Springer. Great.
Seeing Mom and Aunt No. 2 heading toward Wally’s room, I rush ahead to make sure he wants to see them. He says yes; he has things to say. I close the door and leave them.
When I check on Wally after supper, he’s sleeping, his mother by his side, Aunt No. 2 sits stiffly in Wally’s antique chair. His breathing is shallow now, his eyes half glazed over with “that look.” He’s leaving soon. When I tell the family I’ll give them some privacy, they ask me to stay. I hate this; I hate being a witness to their guilt. But as we sit in silence, my anger gives way to compassion. Wally’s mother touches his face, gingerly at first. Tears stream down her own face. She is doing the best she can. She probably always has. Besides, who am I to judge? I don’t know their story. At least they’re here.
They stay till midnight. Wally’s mother practically has to be carried to their van. Aunt No. 1, finally roused from the couch in the other room, says they’ll return tomorrow. Would I call her if Wally dies in the night, so she can tell his mother herself? Of course.
Wally lapses in and out of consciousness all night. Most of the time he’s in a coma; other times, he suddenly decides to get up and rearrange his room. Around 3 a.m., he sits up and announces that he isn’t taking any more morphine. He wants to get back on his regular medication schedule, he says. He is not giving up.
I tell him I’ll do whatever he wants. But I do try to talk him into continuing the morphine for the pain.
“You’re trying to kill me!” he barks.
“I am not trying to kill you, for Christ’s sake. I just don’t want you to hurt.”
“Well, I’m not hurting and I want you to leave me alone.”
I resist the urge to reason with him. You don’t argue with a dying person. I turn to leave, then stop. Wally is staring at me. “I’m scared to die,” he says. “I’m not ready to die.” His eyes well up. He’s kept up a strong front for so long.
A professed Agnostic, Wally starts to talk about God. Is it too late to strike a bargain? Will God be there to greet him? I hold his hand, assuring him he’s loved, telling him I’ll stay with him if that’s what he wants. We’re interrupted by Kim, his best friend for years. Wally asks to be alone with her. I go cook breakfast. It’s 4 a.m.
By 7 the next morning, I’m fading fast. It’s been a long night. One of the residents fell out of bed twice. My body aches from transferring another from bed to wheelchair to toilet and back again, and from helping Wally up and down. I’ve been running for 24 hours, with nine more to go.
The day goes by quickly: Wally decides he wants his morphine. His mother and aunts return, Aunt No. 1 making a beeline for the remote control. Today Wally’s mother is a wreck, crying hysterically, barely able to walk. She asks for some time alone before going to see her son. Meanwhile, Wally’s friends are losing it. They feel guilty because they’re tired and frustrated, ready for him to die.
Finally, it’s 4 p.m., and Sarah arrives to relieve me. I almost weep with relief as I pack up my car and give Sarah the updates. After our changeover, I say my goodbyes to each of the residents, saving Wally for last.
I know this is truly goodbye. I kiss Wally’s forehead, tell him I love him and I’m going home. He says he loves me, too, and he wants to know: Can we continue our conversation on my next shift? I tell him it’s a date.
Someone must have died, I think, pulling into the driveway at 8 a.m. on Friday. There are way too many cars; that’s always a giveaway. I’m suddenly anxious, not knowing what I’m walking into. But as a caregiver for people with AIDS, you never do know what to expect. You only know it’ll be a ride smack dab into the center of chaos.
When I walk in the door of the Chapel Hill “AIDS House,” Craig is stretched out on the couch, glassy-eyed, ready to hand me the reigns. “Hi, sweetie,” he says. “Come give me a hug.” Craig kisses me on the cheek. Wally is dying, he says, and his friends have gathered around to keep vigil.
Craig and I have been through this before, and yet it’s all new. Every person’s transition from life to death is different. The pain is different, the fears are different, the level of acceptance is different. So I know I’m going into this as a beginner; Wally will have plenty to teach me before it’s over.
We walk back to Wally’s room. It’s been a week since I’ve seen him. He looks like a baby bird in a nest, huddled under blankets and buffered on all sides by big pillows. I kneel beside him and take his hand. “Hi, Wally.”
He opens his eyes and smiles. “I waited for you to come,” he says.
“I’m glad you did.”
My throat is closing up. We sit for a minute in silence. Wally and I haven’t become especially close, but we’ve had some meaningful talks. Our time together these past two months has been easy and comfortable, free of the awkwardness that sometimes accompanies a new resident.
When Wally’s friends come in to chat, Craig and I go to the caregivers’ room to do our changeover. Craig is exhausted. We have a new resident who needs a dressing change three times a day. Another is semi-paralyzed, non-ambulatory and in diapers. We have three others with their own special sets of needs. And then there’s Wally.
Craig gives me the update: Wally hasn’t been taking his meds for the last week. His morphine has been upped to two milliliters every two hours for pain. When you give it to him you have to steer the dropper along the inside of this right cheek and get it as far down this throat as possible; the thrush has gotten so bad that he gags if you do it any other way.
Changeover done, Craig heads home to sleep. The phone doesn’t stop ringing all day. Visitors come, go, come back again. The residents are attended to. In the midst of it all is Wally: in and out of sleep, in and out of dementia, in and out of fighting for his life.
When awake, he smokes continuously. This makes me crazy, but I can’t begrudge it: After all, this is one of the last choices Wally has. He can choose to eat, but he’ll throw it up. He can choose to get up and visit the bathroom, but he’ll go all over himself before he gets there. He can still smoke, though, even if he chokes on every drag.
Wally and I argue about diapers. He says he won’t wear one, and rips it off. I explain that it’s just a precaution, that it’ll help him get to the bathroom when he needs to go. I remind him how he unknowingly went while he was asleep, how we don’t always make it to the bathroom on time.
“No,” he says.
I pull out my ace: “What if you ruin your favorite paisley robe?”
Wally glares at me. “OK!” he yells.
We put another diaper on. He is visibly embarrassed. “I’m only 27,” he says.
“I know,” I say as I stroke his hair, struggling for a way to make it better. “I’m sorry.”
The doorbell rings. It’s Wally’s mother and two aunts. I’ve never met them before, but you can’t miss the resemblance between Wally and his mother. She’s shorter, though, and wears a navy polyester sweatsuit with big appliques on it--an outfit her son would not be caught dead in.
The visitors make me angry. Why do people flock to the side of the dying instead of celebrating them while they’re alive? But I’m cordial, expressing my sympathy as Aunt No. 1 unpacks needlepoint from an old macrame bag, plants herself on the couch in front of the TV and flips through the channels. She finally settles on Jerry Springer. Great.
Seeing Mom and Aunt No. 2 heading toward Wally’s room, I rush ahead to make sure he wants to see them. He says yes; he has things to say. I close the door and leave them.
When I check on Wally after supper, he’s sleeping, his mother by his side, Aunt No. 2 sits stiffly in Wally’s antique chair. His breathing is shallow now, his eyes half glazed over with “that look.” He’s leaving soon. When I tell the family I’ll give them some privacy, they ask me to stay. I hate this; I hate being a witness to their guilt. But as we sit in silence, my anger gives way to compassion. Wally’s mother touches his face, gingerly at first. Tears stream down her own face. She is doing the best she can. She probably always has. Besides, who am I to judge? I don’t know their story. At least they’re here.
They stay till midnight. Wally’s mother practically has to be carried to their van. Aunt No. 1, finally roused from the couch in the other room, says they’ll return tomorrow. Would I call her if Wally dies in the night, so she can tell his mother herself? Of course.
Wally lapses in and out of consciousness all night. Most of the time he’s in a coma; other times, he suddenly decides to get up and rearrange his room. Around 3 a.m., he sits up and announces that he isn’t taking any more morphine. He wants to get back on his regular medication schedule, he says. He is not giving up.
I tell him I’ll do whatever he wants. But I do try to talk him into continuing the morphine for the pain.
“You’re trying to kill me!” he barks.
“I am not trying to kill you, for Christ’s sake. I just don’t want you to hurt.”
“Well, I’m not hurting and I want you to leave me alone.”
I resist the urge to reason with him. You don’t argue with a dying person. I turn to leave, then stop. Wally is staring at me. “I’m scared to die,” he says. “I’m not ready to die.” His eyes well up. He’s kept up a strong front for so long.
A professed Agnostic, Wally starts to talk about God. Is it too late to strike a bargain? Will God be there to greet him? I hold his hand, assuring him he’s loved, telling him I’ll stay with him if that’s what he wants. We’re interrupted by Kim, his best friend for years. Wally asks to be alone with her. I go cook breakfast. It’s 4 a.m.
By 7 the next morning, I’m fading fast. It’s been a long night. One of the residents fell out of bed twice. My body aches from transferring another from bed to wheelchair to toilet and back again, and from helping Wally up and down. I’ve been running for 24 hours, with nine more to go.
The day goes by quickly: Wally decides he wants his morphine. His mother and aunts return, Aunt No. 1 making a beeline for the remote control. Today Wally’s mother is a wreck, crying hysterically, barely able to walk. She asks for some time alone before going to see her son. Meanwhile, Wally’s friends are losing it. They feel guilty because they’re tired and frustrated, ready for him to die.
Finally, it’s 4 p.m., and Sarah arrives to relieve me. I almost weep with relief as I pack up my car and give Sarah the updates. After our changeover, I say my goodbyes to each of the residents, saving Wally for last.
I know this is truly goodbye. I kiss Wally’s forehead, tell him I love him and I’m going home. He says he loves me, too, and he wants to know: Can we continue our conversation on my next shift? I tell him it’s a date.
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